Meshakai Wolf’s Forecasting probes humanity’s strained relationship with immensity, inevitability, and insignificance. A Super 8 video installation capturing the human relationship and reaction to a total solar eclipse, digital paintings inspired by satellite imagery of hurricanes, and video footage of Kurdish protesters in southeast Turkey intermingle to diversify the idea of “climate” in all of its forecastable and unpredictable complexities. A thematic undercurrent of control swirls between the works, a tension between what can be predicted, imaged, or observed and what can(not) be thwarted, solved, or diffused. The individual sees its smallness when presented with the immense power of astronomical, meteorological, and political phenomena, and Wolf’s work sheds light on the perpetual human conflict between anthropocentric narcissism and cosmic insignificance, marked by an inexplicable and unsettling relationship between the horrific and majestic.